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We’ve updated our Terms of Use. You can review the changes here.

AMERICAN LANDSCAPES

by JOZEF VAN WISSEM AND JIM JARMUSCH

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  • Record/Vinyl + Digital Album

    Full Length Limited Edition Vinyl, only 1000 copies made. Cover By Robert Longo. Black 12'' vinyl LP. in black sleeve. An Incunabulum Release. Inc 031.

    Includes unlimited streaming of AMERICAN LANDSCAPES via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 1000 

      $25 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Cover by Robert Longo, Limited Black Ecopack/Digisleeve CD with screen-printed label. Only 1000 copies made. An Incunabulum Release, INC 032.

    Includes unlimited streaming of AMERICAN LANDSCAPES via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 1000 

      $15 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

1.
CLEVELAND 11:58
2.
AKRON 06:10
3.

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PRE- ORDER! ships March 7!
Tracking
Side A
Cleveland 11.58
Akron 6. 20
Side B
American Landscapes 21.58

The first two pieces "Cleveland "and "Akron" were recorded in 2022 by the Duo. These dark, long-form and hypnotic drone pieces reflect the current state of America. The third long-form piece “American Landscapes” was commissioned and performed by Stephen Petronio Dance Company in New York. According to the New York Times " This piece is a spare, almost soothing composition"

credits

released March 7, 2023

Jozef Van Wissem Lutes, Condensator Drones, Electronics
Jim Jarmusch Acoustic and Electric Guitars
Front cover by Robert Longo
All Compositions By Jozef Van Wissem and Jim Jarmusch www.incunabulumrecords.com
An Incunabulum Release.
INC 031/032

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all rights reserved

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jozefvanwissem Rotterdam, Netherlands

Van Wissem is ‘both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy,’ (New York Times). He has been ‘pushing the lute’s agenda out of the academy and into more accessible circles’ (Pitchfork).

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